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After a period of suspicion and awkwardness, they resume intimacies, but the next morning she is found dead in her bed, an apparent suicide.
She has left him a note confessing to having been a double agent. Everything in the novel—from the Cold War ideology , to the aura of sophistication around food, drink, cigarettes, and cars in the faded casino towns of northern France, to the potent mix of sentimentality and misogyny—is redolent of the early s in which it was written.
The plot is simple, even elemental. Casino Royale was intended as the first of a series, and it received generally favourable reviews and satisfactory sales in Britain.
The Bond books gained wide popularity in the United States after the newly elected president, John F. Kennedy , named From Russia With Love on his list of favourite books in A well-received updated adaptation of the book, starring Daniel Craig as Bond, appeared in Article Contents.
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Desperate to recover the money, Le Chiffre kidnaps Lynd and uses her as bait to capture Bond, torturing him as he tries to learn where Bond hid the check for his winnings.
Bond soon realizes that Le Chiffre intends to kill him and flee the country, but a masked assassin sent by SMERSH suddenly enters and shoots him in the head.
He also frees Lynd, and leaves them to be rescued. Lynd visits Bond every day as he recuperates, and he gradually realizes that he loves her.
When he is released from the hospital, they spend time together at a rural guest house and eventually become lovers.
Bond contemplates resigning from the Service and asking her to marry him as the mental trauma of being tortured has made him reluctant to return to field duty.
Lynd becomes nervous after seeing a one-eyed man watching her movements and starts pushing Bond away, even getting a separate room. One morning, he wakes up to learn that she committed suicide by overdosing on sleeping pills.
She leaves behind a note explaining that she had been working as an unwilling double agent for the Soviet Ministry of Internal Affairs.
Soviet agents had kidnapped her lover, a Polish Royal Air Force pilot , who had revealed information about her under torture; SMERSH had threatened his life to force her to help them gather information on the Service for years, meaning Bond's mission was compromised from the beginning.
She had tried to start a new life with Bond, but upon seeing the man — a SMERSH operative — she realized that her lover had been killed, and knowing that staying with Bond would make him a target, she took her own life.
Bond informs his superiors of Lynd's duplicity, coldly telling his contact, "The bitch is dead now. Educated at Eton , Sandhurst and, briefly, the universities of Munich and Geneva , Fleming moved through several jobs before he was recruited by Rear Admiral John Godfrey , the Director of Naval Intelligence , to become his personal assistant.
Fleming joined the organisation full-time in August ,   with the codename "17F",  and worked for them throughout the war. In Fleming attended an Anglo-American intelligence summit in Jamaica and, despite the constant heavy rain during his visit, he decided to live on the island once the war was over.
In this role he oversaw the paper's worldwide network of correspondents. His contract allowed him to take two months holiday every winter in Jamaica.
Fleming had previously mentioned to friends that he wanted to write a spy novel,  but it was not until early , to distract himself from his forthcoming nuptials, that he began to write Casino Royale at his Goldeneye estate in Jamaica on 17 February; he typed out 2, words in the morning, directly from his own experiences and imagination,   and finished work on the manuscript in March In May he wrote a piece for Books and Bookmen magazine in which he said: "I write for about three hours in the morning I never correct anything and I never go back to see what I have written By following my formula, you write 2, words a day.
Back in London, Fleming had his manuscript—which he described as his "dreadful oafish opus"  —retyped by Joan Howe, his red-haired secretary at The Times on whom the character Miss Moneypenny was partly based.
At first they were unenthusiastic, but were persuaded to publish on the recommendation of Fleming's older brother, Peter , an established travel writer whose books they managed.
Although Fleming provided no dates within his novels, two writers have identified different timelines based on events and situations within the novel series as a whole.
John Griswold and Henry Chancellor—both of whom have written books on behalf of Ian Fleming Publications —put the events of Casino Royale in ; Griswold allows a possible second timeframe and considers the story could have taken place in either May to July , or May to July Casino Royale was inspired by certain incidents that took place during Fleming's wartime career at the Naval Intelligence Division NID , or by events of which he was aware.
Because of Portugal's neutral status, Estoril's population had been swelled by spies and agents from the warring regimes. Fleming claimed that while there he was cleaned out by a "chief German agent" at a table playing chemin de fer.
Both Papen and Bond survived their assassination attempts, carried out by Bulgarians, because trees protected them from the blasts.
Fleming also included four references in the novel to "Red Indians", including twice on the last page, which came from a unit of commandos , known as No.
Fleming initially named the character James Secretan before he appropriated the name of James Bond , author of the ornithology guide, Birds of the West Indies.
Fleming decided that Bond should resemble both the American singer Hoagy Carmichael and himself,  and in the novel Lynd remarks that "Bond reminds me rather of Hoagy Carmichael, but there is something cold and ruthless.
Bond's order, to be served in a deep champagne goblet , was for "three measures of Gordon's , one of vodka , half a measure of Kina Lillet.
Shake it very well until it's ice-cold, then add a large thin slice of lemon peel. Speaking of Bond's origins, Fleming said that "he was a compound of all the secret agents and commando types I met during the war",  although the author gave many of his own traits to the character.
William Cook in New Statesman . Bond's superior, M, was largely based on Godfrey, Fleming's NID superior officer;  Godfrey was known for his bellicose and irascible temperament.
Fleming later said of his work, "while thrillers may not be Literature with a capital L, it is possible to write what I can best describe as 'thrillers designed to be read as literature ' ".
The semiotician and essayist, Umberto Eco , in his examination of the Bond books, "The Narrative Structure of Ian Fleming", considered that Fleming "has a rhythm, a polish, a certain sensuous feeling for words.
That is not to say that Fleming is an artist; yet he writes with art. Casino Royale was written after, and was heavily influenced by, the Second World War;  Britain was still an imperial power,  and the Western and Eastern blocs were engaged in the Cold War.
In parts of central London, including Oxford Street and High Holborn still had uncleared bomb sites and sweets had ceased being rationed, but coal and other food items were still regulated.
Casino Royale deals with the question of Anglo-American relations, reflecting the real-world central role of the US in the defence of the West.
Amis, in his exploration of Bond in The James Bond Dossier , pointed out that Leiter is "such a nonentity as a piece of characterization Sign up for our Newsletter:.
Last Name:. Primary Email Address:. Click here to assign a widget to this area. No menu assigned! A two-mile strip of beautiful beach, trendy bars, restaurants and shops.
Atlantis is your stop for adventure and fun. Swim with dolphins or relax on the beach. The spectre hanging over Casino Royale, and indeed all of the Daniel Craig era, is the Bourne series.
The first three films shifted the goalposts of what constituted a modern action-thriller, innovating with its gripping storylines, sharp camerawork and relatable yet remarkable protagonist.
Even Brosnan admitted that the series would have had to raise its game in the face of what The Bourne Identity did; watching that and Die Another Day now, it's hard to believe that they came from the same decade, let alone the same year.
Casino Royale manages to match The Bourne Supremacy for quality, borrowing some of its aesthetic touches particularly in the chase sequences while also capturing the intrigue of Ian Fleming's original novel.
Like Paul Greengrass, Martin Campbell understands the need to knit action and character scenes together to create a holistic, gripping package; the action feels like an integral and natural part of the drama, rather than interrupting it in order to show off the budget.
Campbell brings the same calm, steady and methodical touch that he brought to Goldeneye; having saved Bond from irrelevance once, he does it again in some style.
Skyfall so often gets praised for acknowledging Bond's past while still being modern and relevant, but Casino Royale manages to pull off this same trick, and arguably does it slightly better.
Where Skyfall consciously tips its hat to the older films through costumes, characters or props such as the iconic Aston Martin DB5 , Casino Royale is more subtle; all the classic elements are there, but they've been modernised and refined so that they make more sense in the real world.
It's still fitting for Bond to drive an Aston Martin, and it's a nice touch to see its distant predecessor roll by.
But it wouldn't make sense for Bond's car to have many gadgets that he doesn't need, and having the car be wrecked to save Vesper makes complete sense.
Where Roger Moore or Brosnan's films glorified the gadgets, this restores some welcome credibility and keeps the hardware under wraps unless absolutely necessary.
Along these same lines, the screenplay takes all the best elements of Fleming's novel and transposes them into a contemporary setting. It still has all the glamour of the classic casino scenes from the Sean Connery era, but the playful banter and flirting has been replaced with high stakes, tense glances and much more serious consequences.
Le Chiffre's relationships with arms dealers and dodgy speculation on the stock market felt current for its day and still feels very fresh; great effort is expended to ground the character's motivations while maintaining an air of intrigue, mystery and threat.
The film takes itself seriously, but not too seriously; it wants to have fun, but it puts credibility above out-and-out entertainment, unlike many of Moore's entries in the canon.
Le Chiffre's characterisation is also an interesting departure from what the Bond villain archetype has become. Where the likes of Drax, Stromberg and Blofeld wanted to single-handedly destroy or take over the world, Le Chiffre is essentially a middle-man; he is to the Craig era what Kristatos was in For Your Eyes Only, but better written and with a more interesting, more murky motivation.
Like Bond, he is ultimately a pawn of bigger forces who struggles at times not to buckle under the pressure as the torture scene demonstrates ; by making him so small, he becomes more believable and more intimidating, even without the bleeding eye.
He may look like the lead singer of Franz Ferdinand in his haircut and dress sense, but Mads Mikkelson plays him brilliantly, bringing a cold, dead-eyed feel to the character which both intrigues and repulses an audience.
Creating convincing poker scenes in films is pretty difficult. The vast majority of efforts go for a highly stylised or choreographed approach, where audience expectations are pandered to through needless editing trickery; think of the final hand in The Cincinnati Kid, or the royal flush sequence in Maverick.
Casino Royale's poker scenes may be more stylised than those in, say, The Sting or Rounders, but they are still very well-executed with good pacing and a frisson of unpredictability.
What really makes them work, however, is the build-up in the script; there are little poker motifs dotted throughout, with comments about tells and misdirection.
Because the film makes such a big theme out of bluffing and people not being what they seem, the card games don't feel like isolated set-pieces, and the later developments with Mathis and Vesper feel credible and yet still surprising.
It isn't just that both characters ultimately don't make it past the final reel; the characters are both instrumental in the making of Bond, an affront and a challenge to his impulsive, playboy instincts and a safe refuge from the madness of his job and the people he has to kill.
Eva Green is every bit as gripping and electric on screen as Diana Rigg before her; Vesper goes toe-to-toe with Bond and we get genuine character development, making her betrayal and death all the more shocking and heartbreaking.
Craig's Bond is a changed man by the end of the film - it's just a pity that the resolution to his heartbreak in Quantum of Solace was as underwhelming and mishandled as the similar attempt in Diamonds Are Forever.
The heartbreak surrounding Vesper brings us onto another of Casino Royale's great successes: it hurts. Desmond Llewellyn's Q may have advised Bond that he should never let his enemies see him bleed, but the best Bond films have never been afraid of putting him through the mill, getting him into dangerous situations which can only be resolved at great cost - a cost often numbed by women and alcohol.
The fight scenes in Casino Royale feel brutal, just as they should do; it isn't interesting to have someone waltz through conflict as though it was nothing.
The torture scene and the defibrillator scene are great in isolation, but they are matched by Bond's emotional torment of losing Vesper.
For the first time since Timothy Dalton's era - or Goldeneye at a push - Bond's pain feels real and meaningful. All of which brings us to Daniel Craig as Bond.
While his subsequent films have been hit-and-miss, his performance here is more than enough to silence those who criticised his casting all those 'James Blonde' jokes sound all the more desperate now.
He takes the suffering and burnt-out approach that Dalton brought and fuses it with some of Connery's unabashed cool to create a truly modern and contemporary Bond.
He also has the confidence to eschew convention as much as he chooses to reflect or inhabit it; we get a build-up to a cliched sex scene, but then he's quickly on his toes and back to the plot.
Casino Royale is a great, gripping spy thriller and arguably the finest of all the James Bond films. While it is slightly too long and a little too candid with some of its product placement, it remains an extraordinary reinvention of a franchise which had long been in need of a boost.
Craig impresses in his first and finest performance as Bond, and Martin Campbell directs with great common sense and precision to create a majestic and immensely enjoyable film.
Whether looking at the newer films or the franchise as a whole, this has set a very high bar which has yet to be beaten. Daniel M Super Reviewer. Jun 20, Daniel Craig's first turn in the tux.
Just as many franchises have gone "The Dark Knight route" meaning they have turned stories darker and grittier, the James Bond franchise is now following suit.
Daniel Craig is the most fit and tough Bond we've had. He's not the best James Bond, but he's good. Script was remarkable and despite the point of the film being just a poker game, it was still filled with suspense and excitement.
Patrick W Super Reviewer. Mar 11, A new 00 agent for MI6, Bond is assigned with incapacitating a terrorist Mads Mikkelsen behind an attempted bombing of a plane.
This is a fun and stylish Bond film. Daniel Craig is a very focused Bond, not so easily distracted by the lure of women. He is also an inexperienced Bond, lacking proper judgement in certain situations.
It makes for a very relatable protagonist. Eva Green is also very strong as a British treasurer tasked with aiding Bond in the poker match. Mads makes for an ok villain as well.
The action in this movie is top-notch. After the opening credits featuring a solid Bond song , a chase scene draws attention immediately.
The stunt team in Casino Royale deserves a lot of props for some of the actions they had to pull off.